I shall show you the land in catastrophe,what should not happen, happening:arms of war will be taken up,and the land will live by uproar….To the heart, spoken words seem like fire;what comes from the mouth cannot be endured.Shrunk is the land–many its controllers.It is bare–its taxes are great.Little is the grain–large is the measure,and it is poured out in rising amounts.The Sungod separates Himself from mankind.He will rise when it is time,but no one knows when midday occurs, no one can distinguish His shadow
~from the poem ‘The Prophecy of Neferti’, written over 3500 years ago
With all of the ongoing change happening in Egypt right now, there is the danger that what has existed there for millennia could be lost in just a moment. While the people have been fearlessly standing up and making their voices heard, the fire and chaos in Cairo has been threatening the Museum of Egyptian Antiquities. Reports coming in via Twitter told of the protestors forming an incredible human chain around the museum to protect it until the army could come to take over. Now tragicÂ reports have come in from Dr. Zahi Hawass himself of some damage by looters and the destruction of at least two mummies. With the continuing upheaval, I am fearful for both the people of Egypt and the vast repository of beauty, wisdom, history, and monumental human achievement concentrated in that one building. Many know the museum as the home of Tutankhamunâ€™s treasures, the single greatest collection of burial goods from ancient Egypt, including not only the gold mask, but everything from chariots to underwear. But the museum holds so much more.
To any student of Egyptology who visits for the first time, the experience is mind boggling. Object after object is a masterpiece, telling fabulous stories of the birth of civilization, genius architects, powerful kings, master artists, great generals, eloquent writers, and the ordinary people who lived and died on the banks of the Nile. From the serene beauty of the statues of King Menkaure or the dazzling treasures of Tutankhamunâ€™s grandparents, to the delicate perfection of the painting of the Meidum geese or the exquisite Middle Kingdom jewellery, copied by Art Deco jewellers.
Papyrus Boulaq 18 records the day-to-day working of an ancient Egyptian palace, including the wages that were paid, while the actual beautifully decorated floors from the palace at Amarna, on which Akhenaten and Nefertiti would have walked, are also preserved in the museum.
The magnificent models from the tomb of Meketre come from another time of transition in Egyptian history. Meketre served the king who managed to reunite the country after its first long period of decentralization. The enormous wooden model depicting cattle stocktaking is absolutely unique in ancient Egypt. The amount of detail in this, and other models, give us insight into daily life, ancient technology, and social relations.
Even the bodies of the pharaohs themselves lie in state in the museum, like Ramesses III, who battled invasions by the Sea Peoples and whose wife, son, and officials conspired to assassinate him.
What I am possibly most afraid for though is all the unknown, undocumented treasures that lie buried in the basement of the museum. Most museums only have a few percent of their entire collections on display, but in the Egyptian Museum the number of artefacts in storage is so vast that no one entirely knows whatâ€™s down there. There are often stories of amazing artefacts being â€˜rediscoveredâ€™. The first 30 seconds of the video below gives just a glimpse of the labyrinth of objects that lies below the museum. If anything were to happen to these pieces, not only would they be lost to future generations, but the potential knowledge they offer would never come to light. Their destruction would be complete, as if they had never existed.
For now, my thoughts are with the people of Egypt, both the modern and the ancient. I am watching with baited breath for further news of the fate of the objects kept in the museum, a repository of the country’s history and a monument to human achievement. My hopes are buoyed only by the thought that if Ramesses the Great, who may have been up to 90 years old when he died, has managed to survive for over 3000 years with even his hair dye still intact, then hopefully this particular henna’d old man is not going anywhereâ€¦